Search results for " Dramaturgy"
showing 4 items of 4 documents
Introduzione ovvero ‘Ifigenia in Aulide’ tra cerchietti e parentesi
2017
The contribution is a brief introduction to the workshop “Ifigenia in Aulide di Euripide. Testo, Interpretazione, Drammaturgia, ieri e oggi”, held in Palermo on April 7, 2016, whose intent is here motivated. The meeting pivoted on the idea that a tragedy as IA, burdened with serious textual problems – as evidenced by the latest editions by James Diggle (OCT) and David Kovacs (Loeb) –, may be a good basis for a methodological reassessment, within which textual criticism may interact with interpretative problems and dramaturgical performances, concerning either the time when theatrical representations were performed and their numerous rewritings. The paper also briefly summarizes the content …
Il terzo atto al San Carlo di Napoli nell’ultimo trentennio del Settecento: declino, atrofizzazione, scomparsa
2023
In the last decades of the eighteenth century, the third act of opera seria was gradually reduced in importance and dimensions until it disappeared altogether. The article studies this process in relation to the repertoire of the San Carlo theatre in Naples from 1771 on, with special attention to the intertwining of dramaturgical choices and audience’s behavior. The examination of a large number of librettos and scores makes it possible to fix reliable chronological terms. After an isolated episode in 1780, the adfirmation of the two-act model can be traced back to the 1786-1787 season. The new formula quickly took hold, but three-act operas continued to be performed - with ever decreasing …
Da «Nina» a «Belisa»: contagi veneziani (1788-1794)
2008
Giovanni Paisiello's "Nina o sia La pazza per amore" was one of the greates operatic successes of the late Eighteenth Century. The article studies its circulation in the Venetian area, as well as the reactions it produced as documented in theorical writings and newspapers. Moreover, the model of mixed dramaturgy exemplified by "Nina", characterized by the alternation of spoken dialogues and musical numbers, influenced some Italian authors. "Belisa ossia La fedeltà riconosciuta" by Alessandro Pepoli and the German composer Peter von Winter is one of the most interesting results of this experimentation, and can be considered as a sort of new "Nina" for the Venetian stage.
"Von den lateinischen Trauerspielen welche unter dem Namen des Seneca bekannt sind" Lessings Auseinandersetzung mit Seneca
2021
The essay offers an analysis of Lessing's dramaturgy from the perspective of its fruitful relationship with the literary tradition of the ancient world, with particular attention to the problem of translation.